Dogs – A Legacy for Pakistan

Faiz Ahmed Faiz wrote ‘Dogs’ during the struggle against the British Raj,  but the words are as apt for the state of Pakistan  today. The feudal  system of the rule of the Bhutto’s  to the brutal regime of Musharraf exposes the lack of progress for a country created with a multitude of ambitions for its minorities.

Dogs
These wandering unemployed gods of the streets,
On whom has been bestowed ardour for beggary,
The curses of the age their property,
The abuse of the whole world their earnings;
Neither rest at night nor comfort in the morning,
Dwellings in the dirt, night-lodgings in the drains;
If they rebel, make one fight another,
Just show them a piece of bread –
They who suffers the kicks of everyone,
Who will die worn out with starvation…

If these oppressed creatures lifted their head,
Mankind would forget all its insolence:
If they wished they would make the earth either own,
They would chew even the bones of the masters –
If only someone showed them consciousness of degradation,
If only someone shook their sleeping tails!

Extract from ‘Poems by Faiz’ Translated by Victor Kiernan published by Vanguard Books (PVT) Ltd , South Publications, London

Khuda Ka Liye at the Tongues on Fire Film Festival

I have the pleasure of introducing and discussing Shoaib Mansoor’s directorial debut at the Brady Centre on 13 March at the Brady Centre. Screening starts at 11am and is free and open to all.

Khuda Ke Liye is a ground breaking Pakistani feature on the aftermath of 9/11.

Ras H. Siddiqui writing for Pakistan Link puts it succinctly when he stated that “I had the privilege to view Shoaib Mansoor’s widely acclaimed Pakistani movie “Khuda Kay Liye” or “In The Name Of God” on a full screen at NAZ8 Cinemas in Fremont , California. I call the viewing a privilege because Pakistani movies being shown to the wider public on a full screen in Northern California are something quite rare, even when the theatres screening them like NAZ8 are known for showing Indian (Bollywood) blockbusters. Since this was a 1PM show on a Saturday, we hurried to the venue to get a good seat. There were five of us and when we stepped into the theatre we were surprised that there was plenty of room. Either word about this movie has not circulated or the impact of pirated DVD’s had already been felt. But after seeing it I can write that this movie should not be missed by Pakistanis, Americans or other South Asians. We saw it with English subtitles but a great deal of this movie is already in the English language. South Asian films have overcome many barriers in the United States over the past few years. Most of them have been made by the Indian-Pakistani Diaspora resident in Britain, Canada and the US. Mira Nair, Hanif Kureishi and now Tariq Ali have entered into filmmaking for Western audiences. Mira’s “The Namesake” is being released on DVD and is being considered Oscar material. And indigenous Indian movies such as Sanjay Leela Bhansali’s Saawariya are getting international funding. But where does this movie fit in? Khuda Kay Liye is a remarkable film that can compete with any movie coming out of either Hollywood or Bollywood these days. Unfortunately, it will not penetrate the mainstream US movie market because it is going to be very controversial on both sides of “the divide”.  Click here to read the full article.

You can contact Tongues on Fire for further details of screening and discussion on            020 8961 8908.

A Stain Covered Day Break

Dawn of Freedom – August 1947 was a poem was written as comment on the partition of India and the creation of Pakistan,  and sadly the words rings true of Pakistan today. 

Subh-e-Azadi
Ye dagh dagh ujala, ye shab-gazida sahar,
Vo initizar tha jis-ka, ye vo sahar to nahin,
Ye vo sahar to nahin jis-ki arzu lekar
Chale the yar ke mil-ja’egi kahin na kahin
Falak ke dasht mein taron ki akhiri manzil…..

Dawn of freedom
This stain-covered daybreak, this night-bitten dawn,
This is not that dawn of which there was expectation;
This is not that dawn with longing for which friends set out
That somewhere they would be met within the desert of the sky
The final destination of the stars…..

Extract from ‘Poems by Faiz’ Translated by Victor Kiernan   published by Vanguard Books (PVT) Ltd , South Publications, London

 

Tongues on Fire Celebrates 10 years

Tongues on Fire Film Festival was set up by founding Artistic Directors, Pushpinder Chowdhry and Harvinder Nath who have informed the festival direction and propelling in to an international stage with a view to be ‘Beyond Bollywood’. The festival has been at the forefront of supporting British Asian talent such as Gurinder ChadhaShakila Taranum MaanMeera Syal,  to name a few.

It is ironic that in their 10th year, the Festival has suffered a major financial set back and has lost its main backer. Despite this, both Pushpinder and Harvinder have endeavoured to move forward with an exciting programme which includes British and international films.

Pushpinder and Harvinder state in their Directors notes that “This year marks our 10th anniversary film festival and TOF is extremely thrilled to begin once again with an Opening Gala Weekend at BAFTA. We are proud to present the London premiere of Hope and A Little Sugar and welcome the talented director Tanuja Chandra and actress Mahima Chaudhry to our festival. Our Opening Gala Weekend continues with The World Unseen, a film made by an all-women crew, and we are privileged to present a Q&A with the director Shamim Sarif and producer Hanan Kattan.

This year we are delighted be honouring Meera Syal for her contributions to film, television and theatre. It will be the first of our yearly profiles of Asian filmmakers who have pushed the boundaries in film and media.

This exciting month-long season showcases work by women or stories where women are the central protagonists in order to encourage debate reflecting real-life issues. The festival presents the British premiers of Mira Nair’s Mirabhai Production of AIDS Jagoo and Bhavna Talwar’s Dharm, and an opportunity to screen the Vanaja and Rituparno Ghosh’s Dosar”.

Click here to read further on the Tongues on Fire Film Festival 2008.

 

 

Ground Hog Day in the Bazaar’s of Pakistan

Here is a beautiful rendition of poem by Faiz Ahmed Faiz,  Aaj Bazaar Mein (Today in the Bazaar) being initially read by him, then continued by song which is sung to images  of the day to day life in Pakistan during the Zia-ul-Haq  era. It seems that Pakistan is trapped in a ground hog day.

Harappa and much more…..

Okay folks, it’s not everyday you come across a cave full of treasure. But here is one I discovered recently…. have a look at this excellent website.

 I hope you enjoy it as much as I have, particularly this comparative of Lahore Railway Station in Pakistan. 

Gulgee is no more – a tribute

The great painter, Gulgee was murdered in his home in Karachi along with his wife and the maid servant. A bizarre killing by any means, the only items that are missing is the family car. The police are currently looking for a servant and a driver.

Karachi has the highest crime figures in Pakistan and is a dangerous and ruthless place for the non-elite and elite alike.

Gulgee was a self-taught painter and rose to prominence by doing portraits of important leaders such as King Faisal  and Zulfikar Ali Bhutto. 

His work changed dramatically and went into religious and spiritual realms, providing the Islamic world of some of the most mesmerising calligraphy. Vasl, an international artist’s collective based in Pakistan, considers Gulgee as one of the Master painters of Pakistan. The collective hold an impressive collection of images by Gulgee which you can see by clicking here. 

Gulgee’s art will be greatly missed.

Tariq Ali on Benazir Bhutto

It was not good to start 2008 in this way. The events in Pakistan  over the last month or so have been shocking, unsettling and ensured a rapid change for the people of Pakistan.  With Benazir’s son being sworn in as the leader of the PPP, whilst her husband controls the puppet, a feudal dynasty continues.

I was deeply affected by Tariq Ali’s article in the Independent newspaper that a good friend alerted me to where Tariq passionately and eloquently puts the argument of the state of politics in Pakistan and perhaps the Indian Sub-continent.

He starts his article by stating that his heart bleeds for Pakistan and that it deserves better than this grotesque feudal charade and draws an analogy to Mary, Queen of Scots. He writes that “Six hours before she was executed, Mary, Queen of Scots wrote to her brother-in-law, Henry III of France: “…As for my son, I commend him to you in so far as he deserves, for I cannot answer for him.” The year was 1587.

On 30 December 2007, a conclave of feudal potentates gathered in the home of the slain Benazir Bhutto to hear her last will and testament being read out and its contents subsequently announced to the world media. Where Mary was tentative, her modern-day equivalent left no room for doubt. She could certainly answer for her son.

A triumvirate consisting of her husband, Asif Zardari (one of the most venal and discredited politicians in the country and still facing corruption charges in three European courts) and two ciphers will run the party till Benazir’s 19-year-old son, Bilawal, comes of age. He will then become chairperson-for-life and, no doubt, pass it on to his children. The fact that this is now official does not make it any less grotesque. The Pakistan People’s Party is being treated as a family heirloom, a property to be disposed of at the will of its leader.

Nothing more, nothing less. Poor Pakistan. Poor People’s Party supporters. Both deserve better than this disgusting, medieval charade.

Benazir’s last decision was in the same autocratic mode as its predecessors, an approach that would cost her – tragically – her own life. Had she heeded the advice of some party leaders and not agreed to the Washington-brokered deal with Pervez Musharraf or, even later, decided to boycott his parliamentary election she might still have been alive. Her last gift to the country does not augur well for its future.

How can Western-backed politicians be taken seriously if they treat their party as a fiefdom and their supporters as serfs, while their courtiers abroad mouth sycophantic niceties concerning the young prince and his future.

That most of the PPP inner circle consists of spineless timeservers leading frustrated and melancholy lives is no excuse. All this could be transformed if inner-party democracy was implemented. There is a tiny layer of incorruptible and principled politicians inside the party, but they have been sidelined. Dynastic politics is a sign of weakness, not strength. Benazir was fond of comparing her family to the Kennedys, but chose to ignore that the Democratic Party, despite an addiction to big money, was not the instrument of any one family.

Click here for the complete article.

The Incident of the Shaving of the Moustache that Changed the Political Face of Pakistan and Benazir’s Destiny

Picture a very Shakespearean drama  and then place the Bhutto family as its main players. It surpasses all expectations of a volatile story full of greed, power hungry and manipulative individuals.

Benazir Bhutto’s brother, Murtaza Bhutto’s   assassination comes to mind. A brutal killing by any measure, one that was pre-meditated and meticulously planned when a brother did not see eye to eye with his sister and brother-in-law, who happened to be the Prime Minister and the Minister for Industry respectively. Zardari along with Benazir has been accused of siphoning public and private monies out of Pakistan and into Swiss accounts. Anyhow, we all know that story.

Murtaza Bhutto was a radical leftist who was being supported by the Soviet Union at the time of his assassination. He had been in exile in Afghanistan but decided to return to Pakistan in the mid ’90s to be part of the political milieu and to partake in the Pakistan People’s Party (PPP). 

Critical of Asif Ali Zardari, Murtaza lost ground with Benazir which in turn made him a strong and vocal critic of the PPP. Murtaza felt that the arguments were getting out of hand and decided to have a private meeting with Zardari which ended badly.

After a heated discussion, Murtaza and Zardari resorted to fisticuffs during which Murtaza managed to somehow shave off half of Zardari’s moustache. A deeply humiliated Zardari set about his revenge.

In a staged shoot out on September 20 1996, outside Murtaza’s home in Karachi, a gang of armed police officers hid in strategic places. As Murtaza’s car pulled up, he along with seven other members of his entourage got out. Murtaza was immediately felled by a sniper, who managed to shoot him through the neck as well as in several other parts of his body.

Murtaza and his companions were fatally wounded and were left to bleed for over two hours before they were taken to separate hospitals. Murtaza of course died soon after, along with his supporters.

No one has been arrested or charged with the killing of Murtaza Bhutto. 

 

Pakistan Women’s Cricket & Hockey

I came across this excellent article by Issam Ahmed in the Guardian Unlimited on Pakistan’s Women Cricketers and was mesmerised.

“In last summer’s Bollywood blockbuster, Chak De! India (loosely translated as ‘Come on ! India’), screen icon Shahrukh Khan is charged with coaching a group of talented women hockey players, who, blighted by politics and written off by the media, have never achieved much. In a heart-warming tale based on the actual team’s historic gold medal at the 2002 Commonwealth Games, Khan eventually succeeds in uniting his players into an all-conquering outfit, who ultimately sweep aside the mighty Aussies to win the World Cup.

Across the border in Pakistan, where, despite long-time political enmity, Bollywood flicks have long held the No1 spot in the cultural stakes, no such fairytale ending beckons for Pakistan’s current women’s hockey team, nor indeed for women playing the country’s most popular sport: cricket”. For full article click here